Are you making a video or film and thinking to make it outstanding and professional? As you know, the quality of the film depends on both video and audio. So, purchasing the best shotgun microphone for film production is the need of the hour! We have deeply researched and tested top microphones for filmmaking and reviewed them. Whether you are making a low-budget film or a high budget, we have covered both scenarios, and you will get your desired mic from the list below.
Most shotgun microphones are lightweight, so mounting and picking them up is trouble-free. Your arms will not be aching by moving them around for shootings the whole day long. All the mics reviewed below are boom pole compatible. It means you can mount a mic on the boom for filmmaking.
List of Best shotgun mic for filmmaking:
For this article, we have selected the ten best microphones for filmmaking after much research to make it convenient for you to decide effortlessly. Read the whole article carefully, and at the end of the article, you will know all nitty-gritty about shotgun microphones and will be able to choose the best one for you, right according to your requirements and budget.
According to professionals, shotgun microphones are the best mics for filmmaking. But there are certain other features that we looked at when choosing the following mics, among others. The best shotgun microphone should be highly directional to pick up the desired sounds while less focused on ambient noises.
A shotgun microphone is superb that is equally functional with a boom pole and your DSLR or any other camera. So, you can use a single microphone in any way you want.
Most of the microphones enlisted in this article have AA batteries and phantom power. That dual power system keep you going and never stops your recordings because of the power running away excuse.
The microphone with several settings is workable in low or high noisy situations. We selected the boom mic for filmmaking that easily and tightly mounts on the boom pole without the hassle of long cables.
We know you are enthusiastic about finding out which fabulous shotgun mics we have selected for you. The wait is over! Read down all of them one by one, and you’ll love the provided information.
|Product 1||Multipowered condenser
||Rode NTG2 Multi-Powered Condenser Shotgun Mic||
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|Product 2||Line/Gradient condenser
||Audio-Technica AT875R Shotgun Microphone||
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|Product 3||With windshield
||Sennheiser MKE 600 Short Shotgun Microphone||
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|Product 4||Supercardioid with inbuilt battery
||Rode NTG4+ Shotgun Microphone||
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|Product 5||Supercardioid with tube condenser
||Sennheiser MKH416-P48U3 Shotgun Mic||
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|Product 6||lightweight supercardioid condenser
||Rode NTG1 Lightweight Shotgun Mic||
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|Product 7||RF-Bias condenser
||Rode NTG3 RF-Bias Shotgun Microphone||
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|Product 8||with hairy windscreen
||Zoom SGH-6 Shotgun Microphone||
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|Product 9||Cardioid/Supercardioid condenser
||Audio-Technica ATR-6550 Shotgun Microphone||
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|Product 10||precision broadcast cardioid
||Rode NTG-3 Precision Shotgun Microphone||
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Are you searching for the best shotgun microphone that is highly preferable for television, film, and video production industries? Then don’t go anywhere. Here is the Rode NTG2 making your search come to an end.
Rode NTG2 is the choice of professionals for many reasons. Above all, it’s so lightweight that you’ll not be tired of picking it up for long hours if you mount it on a boom pole. You can also use it with the DSLR camera for shooting films or videos of any kind. It is one of the best boom mics for filmmaking.
Do you want your films, videos, and voice-over recordings to have crystal clear audio? We can get exceptional sound results by choosing this microphone because of its audio transparency, low noise, and high-frequency response. That’s why we have put this model in first place in our list of the best shotgun mic for films.
The two-step high-pass filter contains a native flat frequency response and selectable frequency response at 80Hz. Select the 80Hz if you don’t want to record the low-end noises such as traffic, chirping of birds, the sound of a fan, air conditioner, or any machine running behind. As a result, you’ll get incredible audio that everyone would like to listen to.
The battery is always an essential thing to look at when choosing a microphone. You’ll be glad to know that it can be powered by a AA (1.5v) battery or P48 phantom power. It is beneficial because you can continue the recording using the camera or recorder’s power.
Moreover, the WSVM windshield can reduce light wind noise or sound plosives to keep your recorded audio clear and understandable.
Audio-Technica AT875R is designed to broadcast (ENG) audio, video, and film production. If you want to mount it on your camera, you can. Its short length makes it compatible with all cameras, and it will not disturb any visual. You can easily use it with camcorders and audio recorders too.
The narrow pickup angle allows it to record sounds even from long distances. So, if you want to use it for wildlife videography and try to capture different birds’ sounds, it will work well.
The Audio Technica AT875R records on-axis audio while rejecting all other sounds arriving from other sides. This high directionality makes it compatible to capture the natural, pure, and smooth sound of the subject at which you point it.
Its rugged material and short length make it ideal for any camera you own because its sound is far better than the camera’s internal microphone.
No one wants the handling noises to ruin their recordings. Thus, these handling noises are not an issue if using this microphone. The tailored response will reduce these irritating noises to make your recordings superb.
If battery runaways or recharging during shooting irritate you, this shotgun microphone is best for you. The reason is that it is phantom-powered only. Simply connect the mic to the camera or any recording device; it will get power from them without any interruption. You can use it for indoor and outdoor shootings because it works well in both settings.
Are you searching for a microphone capable of fulfilling the tough challenges of video sounds? There is nothing else than Sennheiser MKE 600 that can satisfy you. It is a short shotgun microphone that is compatible with every recording situation.
Those who own a DSLR camera or camcorder would enjoy using it for making their regular videos. The DSLR is not a highly professional camera for filmmaking, but if paired with MKE 600, it becomes an exceptional and outclass performer.
The high-level directionality allows it to focus on the on-axis sounds while depleting other noises coming from the rear or sides. You can use it for interviews, lectures, conferences, and videos.
The foam windshield is helpful when trying to avoid low wind or sound disturbances. But do you want to use it in more windy outdoor shootings? Relax; the furry windshield provided with a microphone makes recording easy, even in adverse weather conditions.
If you want to get a more precise and crystal clear sound, then a switchable low-cut filter is there to help you out. It will attenuate the handling and other unwanted noises. The AA battery can power the MKE 600 for 150 hours. Phantom power can also provide energy from the paired device if you don’t want to use a battery. It is considered one of the best shotgun mic for the film.
The microphone structure is fully metallic and sturdy; that’s why even in harsh outdoor situations, it keeps on doing its task perfectly. So, we can call it the best shotgun microphone for DSLR filmmaking.
Among the best shotgun mic for filmmaking, Rode NTG4+ is the world’s first shotgun microphone featuring an in-built lithium battery that works for 150 hours. Which means it will last for multiple days after one single recharge.
The Rode NTG4+ is so light-weighted than NTG2, even with the battery. The low weight makes it fit for attaching it to the boom pole because you’ll not get tired of picking it up on the boom pole.
It has three buttons that control some features. The first is a high-frequency boost button that works well when shooting outdoors. So, it boosts and captures the desired sound even when putting on the dead cat. The second button is a high-pass filter that cuts off the low frequency or wind noises. The third button is a -10dB pad, which is helpful when recording loud noises like a concert, and the same button is the on\off button too.
You can use phantom power or a battery for powering it. The internal battery works for 150 hours. An exciting feature is that the LED button changes various colors according to the battery life when using the microphone’s internal battery. So you can quickly know when it’s time to charge this shotgun mic. Whereas the LED turns blue when using phantom power.
You can charge this microphone with the USB charging cable. The microphone gets fully charged in only two hours. Moreover, charging is quite convenient by the provided micro USB cable; charge it via power brick, computer, car, or anywhere you want.
The super-cardioid polar pattern provides a narrower pick-up angle and flawless sound recordings. The microphone comes with the accessories like a mini USB cable for charging and an XLR spacer for properly fixing the cable. Other things available with the mic are a leather pouch, mic clip, and foam windshield.
If you are an enthusiastic outdoor filmmaker and looking for a microphone that can bear all environmental conditions, this one is what you are looking for. The RF condenser design has made Sennheiser MKH416-P48U3 highly immune to humidity, so you can now go for outdoor recordings with complete confidence.
Sennheiser MKH416 contains a metallic body that feels too nice to touch. At the rear of the microphone is the XLR port for connecting it to a boom pole, camera, or audio recorder.
The high directionality, better consonant articulation, and low self-noise have enabled it to record desired sounds even in outdoor settings. Its superb directionality makes it perfect for television, film, and outside broadcast applications. Thus, we can call it the best shotgun microphone for film production.
It is a unique microphone with mixed pickup patterns. It has a super-cardioid polar pattern for low and medium frequencies, while it contains lobar characteristics for higher frequencies. It is because this microphone is a combination of an interference tube microphone and a pressure gradient transducer.
It has a slightly rising potentiality at high frequencies to record smooth sound. The microphone provides a more balanced sound even when close to the subject with the low proximity effect. Because the MKH416’s operating principle is insensitive to pop and wind noise, it is often used as a broadcast microphone.
Anyone interested in film, television, or video production can get professional results using this microphone. Rode NTG1 is lightweight and the best boom mic for films. The 105 gm low weight makes it ideal for boom pole when trying to record superb sound for your films.
This super-cardioid condenser shotgun microphone is highly directional in picking sounds you aim at. At the same time, it attenuates the sides and rear sounds so as not to disturb the recordings.
Rode NTG1, being the best budget shotgun mic for film, has all rugged metallic construction that is highly durable and performs well in various settings. A selectable high pass filter is available with flat and 80Hz options. Keep the frequency response flat if you don’t need the high pass filter to bring any change in frequency. But if working in a noisy environment and want to record crystal clear sound, use the 80Hz frequency response option.
Like every Rode microphone, NTG1 also has a functional windshield to cut off the wind noise or sound plosives. Because it is the best shotgun mic for indie films, it needs a windshield. The furry windshield is recommended if going out for shooting videos.
Rode NTG1 is made in Australia and provides ten years warranty once you register your microphone. You will get a microphone with a foam windshield, a zip case, and a mic clip during unboxing. RODE never disappoints, and that’s why this brand tool four positions in our article on the best shotgun mic for films.
It rejects the radio frequency interference to distort your audio recordings. The handling noises are too low to be noticed when using this microphone.
Wherever you want to record audio, take it to get out-class results. It’s light-weighted, directional, durable, has low handling noise, and whatnot.
There is no need to get tensed about its storage when not using it for so long or trying to go on a long journey. The provided aluminum storage cylinder is weather-resistant, which will keep this remarkable microphone safe in all conditions. The super-cardioid polar pattern makes it a highly directional microphone perfect for human sound recordings. It rejects the ambient noises to keep the audio clear and precise.
Rode NTG3 can be mounted on a boom pole and a camera. It will give a complete frequency response and phenomenal audio recordings in all settings.
You’ll find it as the best shotgun mic for film, television, news reporting, videos, and broadcast audio recordings. You can use it for interviewing someone or for any dialogue recording and fearlessly outdoor intensive environmental situations. The Rode NTG3 is phantom-powered only, convenient because there is no need to think about battery issues. Just plug in the recording device and start your work.
Zoom SGH-6 is desirable for recording sound from a distance. So, if you want to record dialogues, interviews, or narrations of distant sound sources, then this microphone will work outstanding. Furthermore, it is perfect for video shooting, filmmaking, live theater, and ENG.
The Zoom SGH-6 is compatible with the Q8 handy video recorder and Zoom H5 and H6 handy recorders. When Zoom’s digital signal processing and three hyper-directional microphone elements are combined, it gives it a pick-up power of a traditional shotgun microphone.
Its supreme tight pickup pattern is ultra directional in picking up distant sounds compared to ordinary shotgun microphones. At the same time, it rejects the off-axis sounds to their fullest. The input level setting is no more a problem with its analog-style gain control. The 5-volt preamp reduces the distortions of low and high volumes for recording perfect and clear sounds.
The hairy windscreen is available for minimizing disturbing wind noises. So, if you want to go out for filmmaking, videography, or vlogging, it will be your better companion for in-field challenges. I tried this mic, and I observed professional results in audio quality.
The SGH-6 knows the requirements and challenges of different sound recordings; it features a unique attribute. Zoom’s interchangeable input capsules system gives you the freedom to use the microphone you like. Replacing the capsules takes no time but offers extraordinary results.
Are you finding a better microphone for recording close and distant sounds? Then you’ll be glad to know that Audio-Technica ATR-6550 is a unique mic made for precisely recording close and far-off sounds.
This shotgun condenser microphone is designed to pick up the sound effects and dialogues from a distance but rejects the off-axis sounds. For example, if you record a film shoot near a road, you’ll still get perfect human sound but low traffic noise. Because of its unique features and super affordable price, it can be the best mic for low-budget films.
It is specially designed for all sorts of cameras. Also, it has all the accessories for convenient mounting in the pack. It has two range settings: normal and tele. The normal setting is for recording close to medium audio and contains a cardioid pattern. In contrast, tele has a super-cardioid polar pattern and is made for long-distance sounds.
The dual-mono connection makes it directly connect to any recording device. It comes with several helpful accessories, including an AA battery, foam windshield, stands clamp, and camera mount. Attaching this mic to any camera is so easy. Simply connect the camera mount to DSLR or any other camera. Then insert the mic into it and join the 3.5 mm plug in the camera input.
Keeping the mic closer to the sound source is essential for better audio. This mic doesn’t record sounds coming from the sides and rear. However, if mounted on the camera, it may record a bit of these ambient sounds.
The areas where there are a lot of condensation, recording videos becomes difficult. But you don’t have to think about adverse environmental conditions when you have this microphone. It is designed to withstand any environmental conditions, no matter how harsh they are.
The Rode NTG-3 is a combination of some exciting features. It is light in weight and has a superb anti-glare finish and sturdy structure. The low handling noise and reduced self-noise provide crystal clear audio recordings. Of course, it is an expensive item in our best shotgun for film microphones collection because it comes with complete accessories and equipment in one set.
The lightweight makes it easy to use in any form you want. If you wish to use it as a boom mic or an on-camera microphone, it’s up to you. This microphone is better in all forms and situations.
Suppose you are busy with some other activities and have not used this mic recently, and are concerned about its safety, no issue. The additionally provided aluminum storage cylinder is highly weather-resistant and keeps the Rode NTG-3 safe for prolonged use. The storage cylinder is also helpful when traveling to different areas for making your outdoor videos.
This microphone comes with all the accessories you may need while you use this microphone. The ten years warranty makes you relax in using it.
By keeping the importance of filmmaking and its technicalities in mind, we have spread a list of the best shotgun microphone for film in front of you. If you still have some confusion, try our Top Pick Sennheiser MKH416-P48U3. If you are looking for a good trade-off of price and value, Rode NTG4+ is the one for you. Moreover, it is best for placing it on a boom pole. In case you are low on budget, go for Audio-Technica ATR-6550. Start your filmmaking journey by choosing the one just made for you.